in Geneva from 13 December 2019 to 19 January 2020.

Repetition

In the early 1960s, a series of innovative experiments took shape at the crossroads of music and visual arts, dance, cinema and poetry, which were based on an unusual connection between the body and technology, nature and the media. Mainly collaborative and relating to the search for a community-based experience, their objective was to place the subject within a new situation, caught in a twofold movement, both centripetal and centrifugal. On the one hand, in connection with forms of subversion of norms and through a radical use of electronic tools, the aim was to open up the limits of the pieces –, artworks unfolding into their surroundings, films expanding in time and space, music compositions transmuting into waves and cycles. On the other hand, artists turned perception inward, the exploration of intimate landscapes, criticizing the modern reason, in particular by reducing formal language, opting for the uses of durational strategies, repetitive patterns, and specific vibrational frequencies, enabling a sense of attention and an act of listening that was transformative, individual as well as collective, and envisioned as a communal assemblage of experiences. •••

Exposition